Tiêu đề Steps to Writing Well.pdf ✅

Chapter 1 Prewriting GETTING STARTED (OR SOUP-CAN LABELS CAN BE FASCINATING) For many writers, getting started is the hardest part. You may have noticed that when it is time to begin a writing assignment, you suddenly develop an enormous desire to straighten your books, water your plants, or sharpen your pencils for the fifth time. If this situation sounds familiar, you may find it reas- suring to know that many professionals undergo these same strange compul- sions before they begin writing. Jean Kerr, author of Please Don’t Eat the Daisies, admits that she often finds herself in the kitchen reading soup-can la- bels—or anything—in order to prolong the moments before taking pen in hand. John C. Calhoun, vice president under Andrew Jackson, insisted he had to plow his fields before he could write, and Joseph Conrad, author of Lord Jim and other novels, is said to have cried on occasion from the sheer dread of sit- ting down to compose his stories. To spare you as much hand-wringing as possible, this chapter presents some practical suggestions on how to begin writing your short essay. Al- though all writers must find the methods that work best for them, you may find some of the following ideas helpful. But no matter how you actually begin putting words on paper, it is ab- solutely essential to maintain two basic ideas concerning your writing task. Before you write a single sentence, you should always remind yourself that 1. You have some valuable ideas to tell your reader, and 2. More than anything, you want to communicate those ideas to your reader. These reminders may seem obvious to you, but without a solid commit- ment to your own opinions as well as to your reader, your prose will be lifeless and boring. If you don’t care about your subject, you can’t very well expect anyone else to. Have confidence that your ideas are worthwhile and that your reader genuinely wants, or needs, to know what you think. Equally important, you must also have a strong desire to tell others what you are thinking. One of the most common mistakes inexperienced writers
4 PART ONE - THE BASICS OF THE SHORT ESSAY make is failing to move past early stages in the writing process in which they are writing for—or writing to—themselves only. In the first stages of composing an essay, writers frequently “talk” on paper to themselves, exploring thoughts, discovering new insights, making connections, selecting examples, and so on. The ultimate goal of a finished essay, however, is to communicate your opinions to others clearly and persuasively. Whether you wish to inform your readers, change their minds, or stir them to action, you cannot accomplish your pur- pose by writing so that only you understand what you mean. The burden of communicating your thoughts falls on you, not the reader, who is under no obligation to struggle through confused, unclear prose, paragraphs that begin and end for no apparent reason, or sentences that come one after another with no more logic than lemmings following one another to the sea. Therefore, as you move through the drafting and revising stages of your writing process, commit yourself to becoming increasingly aware of your reader’s reactions to your prose. Ask yourself as you revise your drafts, “Am I moving beyond writing just to myself? Am I making myself clear to others who may not know what I mean?” Much of your success as a writer depends on an unflagging determination to communicate clearly with your readers. SELECTING A SUBJECT Once you have decided that communicating clearly with others is your ulti- mate goal, you are ready to select the subject of your essay. Here are some suggestions on how to begin: Start early. Writing teachers since the earth’s crust cooled have been pushing this advice, and for good reason. It’s not because teachers are egoists competing for the dubious honor of having the most time-consuming course; it is because few writers, even experienced ones, can do a good job when rushed. You need time to mull over ideas, organize your thoughts, revise and polish your prose. Rule of thumb: always give yourself twice as much time as you think you’ll need to avoid the 2:00-A.M.-why-did-I-come-to-college panic. Find your best space. Develop some successful writing habits by thinking about your very own writing process. When and where do you usually do your best composing? Some people write best early in the morning; others think better later in the day. What time of day seems to produce your best efforts? Where are you working? At a desk? In your room or in a library? Do you start drafting ideas on a computer or do you begin with paper or a yellow pad? With a certain pen or sharpened pencil? Most writers avoid noise and interruptions (TV, telephone, friends, etc.), although some swear by music in the back- ground. If you can identify a previously successful writing experience, try du- plicating its location, time, and tools to help you calmly address your new writing task. Or consider trying new combinations of time and place if your previous choices weren’t as productive as you would have liked. Recognition and repeated use of your most comfortable writing “spot” may shorten your hesitation to begin composing; your subconscious may recognize the pattern
CHAPTER 1 - PREWRITING 5 (“Hey, it’s time to write!”) and help you start in a positive frame of mind. (Re- member that it’s not just writers who repeat such rituals—think of the ath- letes you’ve heard about who won’t begin a game without wearing their lucky socks. If it works for them, it can work for you!) Select something in which you currently have a strong interest. If the essay subject is left to you, think of something fun, fascinating, or frightening you’ve done or seen lately, perhaps something you’ve already told a friend about. The subject might be the pleasure of a new hobby, the challenge of a re- cent book or movie, or even the harassment of registration—anything in which you are personally involved. If you aren’t enthusiastic enough about your subject to want to spread the word, pick something else. Bored writers write boring essays. Don’t feel you have nothing from which to choose your subject. Your days are full of activities, people, joys, and irritations. Essays do not have to be written on lofty intellectual or poetic subjects—in fact, some of the world’s best essays have been written on such subjects as china teacups, roast pig, and chimney sweeps. Think: what have you been talking or thinking about lately? What have you been doing that you’re excited about? Or what about your past? Reflect a few moments on some of your most vivid memories—spe- cial people, vacations, holidays, childhood hideaways, your first job or first date—all are possibilities. Still searching? Make a list of all the subjects on which you are an expert. None, you say? Think again. Most of us have an array of talents we hardly ac- knowledge. Perhaps you play the guitar or make a mean pot of chili or know how to repair a sports car. You’ve trained a dog or become a first-class house- sitter or gardener. You know more about computers or old baseball cards than any of your friends. You play soccer or volleyball or Ping-Pong. In other words, take a fresh, close look at your life. You know things that others don’t . . . now is your chance to enlighten them! If a search of your immediate or past personal experience doesn’t turn up anything inspiring, you might try looking in the campus newspaper for stories that arouse your strong feelings; don’t skip the “Letters to the Editor” column. What are the current topics of controversy on your campus? How do you feel about open admissions? A particular graduation requirement? Speakers or special-interest groups on campus? Financial aid applications? Registration procedures? Parking restrictions? Consider the material you are studying in your other classes: reading The Jungle in a literature class may spark an inves- tigative essay on the hot dog industry today, or studying previous immigration laws in your history class may lead you to an argument for or against current immigration practices. Similarly, your local newspaper or national magazines might suggest essay topics to you on local, national, or international affairs that affect your life. Browsing the Internet can provide you with literally thou- sands of diverse opinions and controversies that invite your response. In other words, when you’re stuck for an essay topic, take a closer look at your environment: your own life—past, present, and future; your hometown; your college town; your state; your country; and your world. You’ll probably