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Auxiliary Diminished Blues Scale Chordmodes Aux Dim IAD Bluesl I Aux Dim I AD Blues I Aux Dim min 13th '913 +11 I Aux Dim Blues Maj 13th I Maj 13th Blues Maj 13th/IIIB Maj I3th/ Blues Maj I3th/VB Blues Maj Maj triad ('lie) ('IIIB) Maj triad/IllB +IVB Maj triad/VB min triad 13th ('VllB) Maj 6 Maj 6th/IllB min 7th '5 Maj 6th/VB min 6th Maj '7 Maj '7/Ille 13th 'g +11 Maj '7/VB min 7th Maj '7'9 +11 Maj '7 '9 +11/IllB 7th '9 +11 Maj '7 '9 +11/VB min 7th '5 7th +g min 13th '5 I bII bIII III +IV V VI bVII NOTE TO SEVEN PRINCIPAL SCALE COLUMN: Major or altered major chords appearing over modal tonic degrees other than I designate a Lydian Tonic I Major or I Altered Major chord of the corresponding Princi pal Scale being sounded with that modal tonic degree in the bass. For example, the chord Aug Maj (IIIB) listed over modal tonic degree (III) of the Lydian Augmented Scale designates the Lydian Aug I Major chord sounded over its third degree. This free-form, natural voicing is applicable to any Chart A chord family sim ply by imposing the I Major Principal Chord of that chord family upon its designated modal tonic degree. In this manner the voicings of all chords within that family are acquired. Chapter III, Ex. III:3 to Ex. 111:27, pro vides the fundamental voicing of each of the seven types of Mode I Major Principal Chords of the LC Scale, the eighth principal chord resulting from imposing Lyd Aug Mode I Principal Chord upon PMT degree +V of the Lydian Chromatic Scale. GEORGE RUSSELL'S Lydian Chromatic Concept of Tonal Organization VOLUME ONE: The Art and Science of Tonal Gravity